{"id":296,"date":"2010-06-17T10:16:30","date_gmt":"2010-06-17T10:16:30","guid":{"rendered":"http:\/\/edmundprestwich.co.uk\/?p=296"},"modified":"2014-02-11T22:49:41","modified_gmt":"2014-02-11T22:49:41","slug":"colette-bryce-self-portrait-in-the-dark","status":"publish","type":"post","link":"https:\/\/edmundprestwich.co.uk\/?p=296","title":{"rendered":"Colette Bryce, Self-Portrait in the Dark."},"content":{"rendered":"

I\u2019ve just belatedly caught up with Colette Bryce’s Self-Portrait in the Dark<\/em>. I found it highly accomplished and enjoyable, full of tart but buoyant humour and engaging in the insights it gave into Bryce\u2019s life and feelings.<\/p>\n

Muldoon\u2019s seems very much the dominant influence in tone and style. This appears in Bryce\u2019s way of rhyming and in much of her phrasing, but above all in the way she uses metaphor and simile. Most of the poems that made the strongest impression on me follow Muldoon\u2019s technique of elaborating far-fetched comparisons or conceits. However, Bryce doesn\u2019t have the wild subversiveness of mind that was already such a striking feature of Muldoon\u2019s writing in New Weather<\/em>. Despite the similarities of technique, she is essentially playing a different game. We see this in the very good title poem, \u201cSelf-Portrait in the Dark (with Cigarette)\u201d, which is apparently about the end of a relationship, portrayed in terms of the speaker\u2019s insomnia and her absent partner\u2019s left-behind car. The poem moves through a series of surprising metaphors and similes to end up comparing the winking red light on the dashboard first to the beating of a pulse and secondly to \u201cthe lighthouse-regular spark \/ of someone, somewhere, smoking in the dark\u201d. The impacted double metaphor of lighthouse and cigarette is particularly rich in suggestion and if you just think of the things immediately being compared it does seem like a striking imaginative jump. It doesn\u2019t quite come across like that in the poem, though. The metaphors of heart, lighthouse and lonely smoker in the dark belong too smoothly and naturally to the overall situation of a lover\u2019s feeling abandoned for them to startle the reader in this wider context. Bryce’s conceits seem carefully prepared in a way Muldoon’s don’t. Behind this, I think, lies the fact that she is essentially a lyrical\u00a0 writer who is concerned with the true expression of feeling, where Muldoon at the same stage in his career seems to me to have \u00a0been interested in a much more playfully explosive, much less grounded exploration of imaginative possibilities.<\/p>\n

I admire what seems to me the fidelity to real feelings in Bryce\u2019s volume. What I do regret about the ending of \u201cSelf-Portrait in the Dark (with Cigarette)\u201d is the distancing evasiveness or defensiveness with which she introduces her final metaphors: \u201cIn a poem \/ it could represent<\/em>…\u201d<\/p>\n

But these are very much early impressions of a writer I have only just started to read, and they may well change.<\/p>\n","protected":false},"excerpt":{"rendered":"

I\u2019ve just belatedly caught up with Colette Bryce’s Self-Portrait in the Dark. I found it highly accomplished and enjoyable, full of tart but buoyant humour and engaging in the insights it gave into Bryce\u2019s life and feelings. Muldoon\u2019s seems very much the dominant influence in tone and style. This appears in Bryce\u2019s way of rhyming […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[80],"tags":[],"class_list":["post-296","post","type-post","status-publish","format-standard","hentry","category-colette-bryce"],"_links":{"self":[{"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/296"}],"collection":[{"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=296"}],"version-history":[{"count":18,"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/296\/revisions"}],"predecessor-version":[{"id":1427,"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/296\/revisions\/1427"}],"wp:attachment":[{"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=296"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=296"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}