{"id":74,"date":"2008-09-08T09:55:45","date_gmt":"2008-09-08T09:55:45","guid":{"rendered":"http:\/\/edmundprestwich.co.uk\/?page_id=74"},"modified":"2023-07-07T17:17:03","modified_gmt":"2023-07-07T17:17:03","slug":"poems","status":"publish","type":"page","link":"https:\/\/edmundprestwich.co.uk\/?page_id=74","title":{"rendered":"Poems"},"content":{"rendered":"<p><strong>You can find some of my poems online by clicking on their titles:<\/strong><\/p>\n<p><a href=\"https:\/\/londongrip.co.uk\/2023\/03\/london-grip-new-poetry-spring-2023\/#prestwich\">&#8220;Escape&#8221;<\/a><\/p>\n<p><a href=\"https:\/\/inksweatandtears.co.uk\/edmund-prestwich\/\">&#8220;Lockdown Release&#8221;<\/a><\/p>\n<p><a href=\"https:\/\/thehighwindowpress.com\/2022\/09\/05\/autumn-poetry-2022\/#Edmund%20Prestwich\">&#8220;In a Strange Land&#8221;<\/a><\/p>\n<p><a href=\"https:\/\/thehighwindowpress.com\/2022\/09\/05\/autumn-poetry-2022\/#Edmund%20Prestwich\">&#8220;Thera: Before the Eruption&#8221;<\/a><\/p>\n<p><a href=\"https:\/\/thehighwindowpress.com\/2022\/09\/05\/autumn-poetry-2022\/#Edmund%20Prestwich\">&#8220;Moods of the Mother&#8221;<\/a><\/p>\n<p><a href=\"https:\/\/londongrip.co.uk\/2019\/12\/london-grip-new-poetry-winter-2019-20\/#prestwich\">&#8220;January&#8221;<\/a><\/p>\n<p><a href=\"https:\/\/londongrip.co.uk\/2018\/11\/london-grip-new-poetry-winter-2018-9\/#prestwich\">&#8220;Gethsemane&#8221;<\/a><\/p>\n<p><a href=\"http:\/\/londongrip.co.uk\/2018\/05\/london-grip-new-poetry-summer-2018\/#prestwich\">&#8220;Dante in the Garden&#8221;<\/a><\/p>\n<p><a href=\"https:\/\/inksweatandtears.co.uk\/winter-weathers\/\">&#8220;Winter Weathers&#8221;<\/a><\/p>\n<p><a href=\"http:\/\/nutshellsandnuggets.tumblr.com\/post\/96525243327\/edmund-prestwich-three-poems\" target=\"_blank\">&#8220;Roofers&#8221;, &#8220;Like Flowers&#8221;, &#8220;Dawn&#8221;<\/a><\/p>\n<p><a href=\"https:\/\/www.acumen-poetry.co.uk\/edmund-prestwich\/?doing_wp_cron=1532254495.7947781085968017578125\">&#8220;Rose Prestwich&#8221;<\/a><\/p>\n<p><a href=\"https:\/\/thehighwindowpress.com\/2017\/09\/10\/the-high-window-issue-7-autumn-2017\/\">&#8220;Luderitzbucht 1906&#8221;, &#8220;Dancing in the Namib&#8221;, &#8220;Kolmanskop: High Noon&#8221;, &#8220;Diamond Prospector&#8221;<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>SEA HOLLY<\/strong><\/p>\n<p>Believing in nymphs I suspect in this pale<br \/>\nblue-grey spiky plant a passionate girl.<br \/>\nLoving sun on her skin, enraptured by rain,<br \/>\nthrilled by fingers of wind in her hair,<br \/>\nshe peeps through our window, laughing, not needing<br \/>\none thing we could give her as singing, rejoicing,<br \/>\nshe weaves from earth, air, water and light<br \/>\nthe colour we love, her unique,<br \/>\nindescribable luminous blue.<\/p>\n<p>&nbsp;<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>DOGE<\/strong><\/p>\n<p>A blaze of blue, that ultramarine,<br \/>\ncostlier than gold, carried as chunks of lapis<br \/>\ndown treacherous mountains in Afghanistan<br \/>\nthen rowed over violent seas to Venice.<\/p>\n<p>White Indian silk stitched with gold,<br \/>\nwith flowers and fruit and leaves of light,<br \/>\nlike sunset over snow, rich but cold.<br \/>\nHooded, piercing eyes of the head of state.<\/p>\n<p>Too old for the sword, but you see his active days<br \/>\nin the turn of his head, like a hawk. He saw<br \/>\ngalleys on fire, corpses bobbing in blue bays,<br \/>\nthen came to power through finance and the law.<\/p>\n<p>A thin smile, a sensitive, scholarly face,<br \/>\na raptor\u2019s beak. That calm, pitiless gaze.<\/p>\n<p>&nbsp;<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>EGYPTIAN\u00a0 LABOURERS<\/strong><\/p>\n<p>Naked under the sun,<br \/>\npatient as earth itself, these men,<br \/>\ninheritors of nothing, worked<br \/>\nwith sickles of flint teeth<br \/>\nto cut their master\u2019s corn.<\/p>\n<p>Better the work of the fishponds, wading<br \/>\namong cool fish, though bitten by leeches,<br \/>\ntheir eyes hurt by splintering light;<br \/>\nworse the quarries, digging stone<br \/>\nwith hoes of wood or picks of bone,<br \/>\nbreaking up stone with stone.<\/p>\n<p>Humble, soon forgotten,<br \/>\nlike earthworms ploughing earth,<br \/>\nlike insects labouring,<br \/>\nthey lifted pyramids to the stars,<br \/>\nthen walked away and left them to dead kings.<br \/>\n&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>PROTEAS<\/strong><\/p>\n<p>Leaves like sculptures in dark bronze,<br \/>\nenormous drying blooms, each head<br \/>\na clutch of clubs furred like tarantulas legs:<br \/>\nmy sister sent them from South Africa.<br \/>\nMum loved them, messengers<br \/>\nof all she\u2019d left there \u2013 fever heat,<br \/>\ncicadas shrieking at Christmas, thunder, dust,<br \/>\nthe violence she hated,<br \/>\nbut also light, space,<br \/>\nred kaffirbooms and aloes, dusty grass of the veld,<br \/>\nlong-shadowed afternoons on trips to the Drakensberg Mountains,<br \/>\nand all the small-town, homely things;<br \/>\nclassrooms at GHS, girls in green,<br \/>\nGranny waving from her stoep, Granddad hoeing his mealies.<\/p>\n<p>Those are my images. I don\u2019t know what Mum saw,<br \/>\narranging proteas in bowls on the table.<\/p>\n<p>She lay on the couch in their shadow,<br \/>\nwincing with pain when she moved,<br \/>\ntalking about our children and our futures,<br \/>\ndelicate and dying, grey<br \/>\nface merging with grey hair,<br \/>\nlight as a wisp<br \/>\nof willow herb blowing away.<\/p>\n<p><span style=\"color: #ffffff;\">&#8212;&#8212;&#8212;-<\/span><\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p><span style=\"color: #ffffff;\">&#8212;&#8212;&#8212;-<\/span><\/p>\n<p><strong>EGRETS<\/strong><\/p>\n<p><em>(South Africa, middle fifties)<\/em><\/p>\n<p>In the gentle light of evening,<br \/>\nflocks of snow-white egrets came.<br \/>\nEvery day it was the same:<br \/>\nas my dad and I were walking,<\/p>\n<p>thrilled with joy, we\u2019d watch them landing \u2013<br \/>\nbeauty, grace, and perfect aim.<br \/>\nIn the gentle light of evening,<br \/>\nflocks of snow-white egrets came.<\/p>\n<p>Once we saw a chaingang marching:<br \/>\nZulu convicts, tired and lame.<br \/>\nI felt sick with fear and shame.<br \/>\nThey passed far off. One was shouting.<\/p>\n<p>In the gentle light of evening,<br \/>\nflocks of snow-white egrets came.<br \/>\n<span style=\"color: #ffffff;\">&#8212;&#8212;&#8212;-<\/span><\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p><span style=\"color: #ffffff;\">&#8212;&#8212;&#8212;-<\/span><br \/>\n<strong>CHIESA DI SANTA ANASTASIA, VERONA <\/strong><\/p>\n<p>In pink-suffused and blood-red stone<br \/>\nit glows with welcome. From the door,<br \/>\nadmire the high roof and the pillars\u2019 striding,<br \/>\nmeasured, confident, strong,<br \/>\nover the patterned floor.<\/p>\n<p>There\u2019s a hunchback under the font. He crouches<br \/>\non a block of stone at the pillar\u2019s base.<br \/>\nFeel how the muscles bulging in<br \/>\nthose stubby arms achingly strain<br \/>\nagainst the skin tight coarse brown sleeves<br \/>\nof the marble suit he\u2019s wearing. Holes in its knees,<br \/>\npulled open like raw sores, expose<br \/>\nthe flesh, death white. As his twisted neck<br \/>\ncarries the font\u2019s unbearable weight,<br \/>\nhe barely breathes and his pupils, shrunk<br \/>\nto crazy pinpricks, stare at the floor<br \/>\nas if not seeing it, his brain<br \/>\nabsorbed in living through the pain<br \/>\none second more, one more. Whatever man<br \/>\ncould make stone live like that<br \/>\nhad God in him.<\/p>\n<p><span style=\"color: #ffffff;\">&#8212;&#8212;&#8212;-<\/span><\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p><span style=\"color: #ffffff;\">&#8212;&#8212;&#8212;-<\/span><\/p>\n<p><strong>MOSHOESHOE AND THE CANNIBALS<\/strong><\/p>\n<p>Loathsome in skirts of human skin, they slunk self-consciously<br \/>\nthrough the hostile ranks of Mokoteli.<br \/>\nAs they knelt at Moshoeshoe\u2019s feet, under his mountain,<br \/>\ntheir breath still stank of the human flesh they\u2019d eaten.<br \/>\nReaching his hand to touch their fearful heads,<br \/>\nhe alone, in all that silent crowd,<br \/>\ncould feel how those creatures, demonised by hunger,<br \/>\nmight even now be human.<\/p>\n<p>[My long narrative poem about Moshoeshoe\u00a0appears in my booklet <em>Their Mountain Mother<\/em>]<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p><strong><br \/>\nHEAVENLY BODIES<\/strong><\/p>\n<p>As goddesses, cloud damsels, court ladies, demons, queens,<br \/>\nswarm in the nude on temple walls, their billowy breasts and thighs<br \/>\ninvolved in sacred mysteries<br \/>\nabove the heads of awestruck devotees,<br \/>\nI picture the maharajah\u2019s wives playing between beds of lilies.<\/p>\n<p>Naked in jewelled belts, warmed by the touch of his eyes<br \/>\nthat shine like hidden suns through private screens,<br \/>\nthey vie to display their pliant forms, the shapeliness and size<br \/>\nof breasts and quivering thighs, leaping as the flung ball flies,<br \/>\npursuing one another, fleeing with shrill cries.<\/p>\n<p>It\u2019s different in our gym.<br \/>\nWhen Miss Patel comes in,<br \/>\nstrips to her vest and stretches, ready<br \/>\n&#8211; among suddenly self-conscious men &#8211;<br \/>\nto hone her abs, her glutes, her thighs,<\/p>\n<p>though the mirror walls are alive with eyes,<br \/>\nher face is still as clear-cut stone; the lasers of her gaze<br \/>\nare locked on the figure straight ahead, the vision of herself,<br \/>\npounding the treadmill belt to do her k\u2019s.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Here are a few more you can find online:<\/p>\n<p><a href=\"http:\/\/poetrymagazines.org.uk\/magazine\/record8e00.html?id=1094\">&#8220;The Trekwife&#8221;<\/a><\/p>\n<p><a href=\"http:\/\/poetrymagazines.org.uk\/magazine\/recorde77b-2.html?id=901\">&#8220;Owl&#8221;<\/a><\/p>\n<p><a href=\"http:\/\/poetrymagazines.org.uk\/magazine\/record2294.html?id=3069\">&#8220;The Natal Museum&#8221;<\/a><\/p>\n<p><a href=\"http:\/\/poetrymagazines.org.uk\/magazine\/recordbb3a.html?id=3071\">&#8220;Alexandra Park&#8221;<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>You can find some of my poems online by clicking on their titles: &#8220;Escape&#8221; &#8220;Lockdown Release&#8221; &#8220;In a Strange Land&#8221; &#8220;Thera: Before the Eruption&#8221; &#8220;Moods of the Mother&#8221; &#8220;January&#8221; &#8220;Gethsemane&#8221; &#8220;Dante in the Garden&#8221; &#8220;Winter Weathers&#8221; &#8220;Roofers&#8221;, &#8220;Like Flowers&#8221;, &#8220;Dawn&#8221; &#8220;Rose Prestwich&#8221; &#8220;Luderitzbucht 1906&#8221;, &#8220;Dancing in the Namib&#8221;, &#8220;Kolmanskop: High Noon&#8221;, &#8220;Diamond Prospector&#8221; &nbsp; SEA [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-74","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/74"}],"collection":[{"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=74"}],"version-history":[{"count":31,"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/74\/revisions"}],"predecessor-version":[{"id":2583,"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/74\/revisions\/2583"}],"wp:attachment":[{"href":"https:\/\/edmundprestwich.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=74"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}