In his introduction to the FSG Book of Twentieth Century Italian Poetry, Geoffrey Brock describes Umberto Saba as one of the three poets who were to leave the deepest imprint on twentieth century Italian poetry, the other two being Ungaretti and Montale. His reputation in Italy was apparently much slower to emerge than theirs and my impression is that he’s still much less well known in England. This is partly because of the nature of his writing. Like Ungaretti and Montale, he moved away from the highly rhetorical style that had dominated the work of the previous generation of Italian … Continue Reading