* You are viewing the archive for the ‘Ruth Padel’ Category

Ruth Padel “The Emerald Tablet” – 2

Other things have kept me from following through on my last piece on “The Emerald Tablet”. Here’s a brief note on the stanza I quoted to illustrate the force of the sudden use of strong rhyme:

 

                                   what is inward
……buried in earth       in flesh       and in your mind
is also the bright surface of the world outside
……and is divine.

 

Perhaps it’s a confession of superficiality to say so but my keenest pleasure here may be of an almost purely sensuous kind. I partly get it from the fluent beauty and decisiveness of the sound, or rather from the sudden … Continue Reading

Ruth Padel, “The Emerald Tablet”

You can link to Ruth Padel’s “The Emerald Tablet”  by clicking here.  The whole poem seems to me remarkably rich and beautiful but for the moment I just want to say a few things about the technical skill of the writing in the opening stanzas (down to “divine”).

One of the things this involves is a peculiar interplay between firmness and tentativeness in rhyme, rhythm and syntax.

Syntax first. These first two sentences are quite long and complex in structure. The only punctuation, apart from full stops and capital letters, is the white space at the end of lines and dividing … Continue Reading